Two Great Books, One Bad Reading Month

The Disappearing Spoon and Attachments

I managed to read two recreational books in October. Which is both tough to admit and deserving of some slack. Ask me how many pages I read for work in that same period! It was a lot.

In short, The Disappearing Spoon took me about three weeks to finish. Attachments took me one day. Welcome to my reading life.

The books couldn’t be more different.

I read Sam Kean’s excellent The Violinist’s Thumb a few years ago. Genetics is a pet interest of mine, and I found the book delightful and engaging. It took me a couple years to get to The Disappearing Spoon. I had a bad experience with chemistry in high school, which squelched any possible affinity for the subject. But The Disappearing Spoon made chemistry interesting. Kean has a great way of drawing out personalities and making them fit together into a coherent narrative. The book is full of surprising anecdotes, and he explains science in a way that makes it accessible to the layperson (i.e., me). I’m by no means an expert, but I feel like I’ve made up at least a little of my embarrassing lack of chemistry knowledge.

A couple weeks ago, I was hanging out in a coworker’s office on a Friday afternoon and spotted a copy of Attachments on her shelf. I asked if I could borrow it. I’ve read most of Rainbow Rowell’s books– Eleanor & Park, Fangirl, and Landline— but I hadn’t yet made it to her debut adult novel, Attachments.

I read it in one gulp on Saturday. A lot of novels dealing with multiple forms of media and formal techniques (in this case, emails) get bogged down in replicating the exact format. (To; From; Time Sent; Subject; from latest to first message) Attachments did away with that. In fact, the conversations appeared more like instant messages more than emails. Despite taking place around Y2K, it feels remarkably fresh.

The story revolves around Lincoln, the IT guy assigned to read the emails of reporters at a local newspaper. Beth, a movie critic, and Jennifer, a copyeditor, send a lot of personal emails to one another, which get caught in the company filters. Lincoln is supposed to send them a warning, but he doesn’t. Instead, he finds himself looking forward to reading their notes to one another and realizes he’s developing feelings for Beth.

My dad once asked me what the equivalent of a “rom-com” was in books; well, this is it. I loved every second of it.

At times, Lincoln seems a little too good to be true; but so do all of Rainbow Rowell’s male leads. But if you follow her on Twitter (which I recommend) and have seen the incredible creations (culinary, craft, horological) of her husband, can you really blame her?

Sunday, December 3

Good morning!

I’ve been remiss in taking photos of my breakfast, so instead here is the charcuterie plate I made for Thanksgiving. I consider the Thanksgiving charcuterie plate an integral part of the day (much like the Beaujolais nouveau).

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Featuring prosciutto, Rosette de Lyon, sweet dry Italian sausage, Petit Billy goat cheese, Fromager D’Affinois with truffles, Istara cheese, Marcona Almonds, and assorted olives. Not pictured: pâté.

I am nothing if not serious about the charcuterie.

Over Thanksgiving, I had the great pleasure of The Madwoman Upstairs, which so many friends have recommended to me. I found it delightful. It was just the fun and bookish read I needed for my vacation.

My parents have been staying with me since shortly before Thanksgiving (we went to the Hamptons for a couple days) and just left yesterday.

Wednesday night, we saw Billy Joel perform at Madison Square Garden, which was amazing. The concert was one long sing-along in the best possible way. And I never say no to a sing-along.

Today I’m participating in Handel’s “Messiah” sing-along at Judson Memorial Church. I’m not religious, but remember what I said about sing-alongs? It’ll be the perfect kick-off to the holiday season. Well, that and my apartment decorations.

Happy Sunday!

 

Gilmore Girls Revival– or, What Do Characters Owe Us?

Caution, spoilers ahead.

(Really, I mean it.)

Another disclaimer: I haven’t fully worked through all of these ideas. Perhaps I’ll come up with something more coherent in the next few days.

I watched Gilmore Girls on Friday. I started in the morning, made it through half of “Winter” and saved the rest for that night. I finished after midnight, and kept trying to press the button to the next episodes in hopes that it wasn’t really over, that there was another installment of four episodes waiting for me because 1). how could they end the revival on a cliffhanger and 2). how could they end it like that?

Gilmore Girls was the first television show I loved; it was the first television show I watched as it aired. True, I caught on during season 5, but no matter what was going on in my life, I was parked in front of the guest bedroom television on Tuesday at 8 o’clock. I started drinking coffee because the Gilmores drank coffee, and I wanted in on some of the fun. Like many young Gilmore Girls fans, I identified strongly with Rory. She loved books and pop culture and talked really fast. And yet she always had a boyfriend. She had friends. She had this fabulous college life, what I hoped that mine would be. It comes as no surprise to those who know me that I had a hard time in high school; Rory was proof that if I kept working hard, I would find a way out.

And I did. I loved college. I followed my passions, I made friends, I moved to New York, I got a great job, and somewhere along the way, I didn’t need Rory Gilmore to pave the way any more.

Gilmore Girls actually led me to some of my best friends from college, one of whom walked up to me at sophomore housing draw, told me I looked like Rory Gilmore and asked if I needed a roommate (I did).

I looked forward to the Gilmore Girls revival for moments. I parsed every bit of online fodder for clues. Much of many of my friends’ chagrin, I am a Logan fan (I like Jess every time I rewatch the Jess seasons, but he abandoned Rory!), and I was thrilled to hear that he would have a major role in the revival, particularly because he and Rory ended on such an unhappy note in the original series.

I was delighted by the first three episodes revival, even though Rory’s flailing (and failing) unnerved me. At thirty-two-years old, Rory Gilmore was supposed to have a vibrant career. She wasn’t supposed to be broke and living at home while other people succeeded. I kept wondering when she would pull herself out of it. And I have spent enough time in publishing to know that writing a book, especially a memoir, is not the answer to financial security. In a crowded memoir market, a book like that needs to wow publishers, and although I would have believed in the original series that Rory could write a book to command a huge advance, I’ll admit that I was starting to doubt her in the revival.

And the boys. Rory’s relationship with Logan problematic, but I still rooted for them. I kept waiting for the moment Logan would decide to leave his fiancée, Odette. Odette was his father’s choice of a partner, and he was putting his family’s opinions behind him in season 7.

And that ending. Rory, thirty-two-years-old and living at home with very few serious career prospects, pregnant. (Presumably by Logan. Presumably from their last Life and Death Brigade adventure together.)

That’s the ending we get for Rory Gilmore?

Have a kid. That’s the fulfilling, feel-good answer to her feeling lost?

I was so distressed, I didn’t think I’d sleep all night. I woke up in the morning depressed. My family was driving back from our Thanksgiving vacation, so I had a lot of quality time staring out car windows, which got me thinking, what do characters (and their creators) owe us? And also, when did Rory Gilmore become a feminist icon?

Over the years, people have poked holes in my idolized idea of Rory Gilmore, pointing out that she is a little, well, boring. She doesn’t have the spark Lorelai has; she follows. And I hate to admit that they’re sort of right.

Rory’s wanting so many things, particularly career-wise, made us think of her as a young feminist (which is not to say she isn’t). But those career plans didn’t really work out. And now we’re left with a Rory who seems to be falling into parenthood by default. The world has beaten her down, she is giving up, and now she’s going to be a parent.

That ending doesn’t leave me hopeful, it doesn’t leave me happy, it leaves me sad. Because it’s not just that Rory is having a baby (presumably; obviously, there are other options available). It’s that Rory Gilmore, perfect and confident and frequently praised Rory Gilmore, failed. No one wants to say it in the show. But Rory failed. And it feels like a whole generation of girls who watched the show dreaming of big careers and fulfilling lives, failed with her.

A baby is not a salve for that.

The Gilmores and creator Amy Sherman-Palladino don’t owe us anything. This show is their creation. They should end the characters’ arcs the way they see fit. The last four words have been in the works for decades. And I understand the appeal of the full-circle ending.

Characters take on lives of their own for fans. We mold these characters into whomever we need them to be. But Rory Gilmore returning to Stars Hollow with her tail between her legs and pregnant doesn’t fit my vision of Rory. It doesn’t fit the vision of Rory’s life so many of us had imagined ten years later.

I don’t need Rory Gilmore anymore. I made my own life. I found new role models. But that doesn’t mean that I wanted to see her story end in a way that seems antithetical to all that she once represented to me.

If the revival has a sequel, I’ll still be there. Rooting for Lorelai and Rory (and maybe Logan and Jess, too).

Sunday, November 20

Good morning!

This is my book: Pretty Monsters by Kelly Link

This is my breakfast: baguette tartine and coffee from Eric Kayser

Come join me at the table:

It took a couple weeks after the devastating election, but I’m back to posting here. Although things quite haven’t returned to a baseline of normal (I doubt they will any time soon), I went to see Manon Lescaut at the Met. Anna Netrebko was singing the title role, and I had been looking forward to the performance for months. I had never heard her live before, and it was worth every single penny. She is extraordinary in every sense in this role. On Wednesday, I had breakfast with a friend visiting from out of town. This week also included a couple business lunches, and plenty of work to keep me busy.

Yesterday was Big Game, Stanford vs. Cal. It’s one of the highlights of my year. I watched with the rest of the Stanford young alum group—and some Cal fans and a rowdy Colorado crew— at Finnerty’s in the East Village ($5 well drinks for Stanford alums? Yes, please!). We won. 

Coming up this week is Thanksgiving, and my family arrives Tuesday night (hi, Mom and Dad!). We’ll be in the Hamptons Thursday-Saturday, then back to the city for another week of family adventures.

Happy Sunday!

Sunday, November 6

Good morning!

Sorry I missed last week! I wish I had a good reason, but I was just tired. Also, I had been reading the same book for three weeks. But I’m back!

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Here is my book: Attachments by Rainbow Rowell (finished last night) and Harriet Wolf’s Seventh Book of Wonders by Julianna Baggott.

Here is my breakfast: Eric Kayser baguette tartine and coffee (let’s be honest, this is my weekend breakfast 90% of the time).

Come join me at the table:

Last weekend and Monday I celebrated Halloween. A friend and I went out last Saturday night to a couple parties; I dressed as Holly Golightly and toted Cat with me across the city all night. On Monday, I passed out candy to young trick-or-treaters in my building.

Last night, my aunt and uncle came into the city for a jazz concert at Carnegie Hall. We had a fabulous dinner at Molyvos before seeing Madeleine Peyroux perform at 10 PM. It was a wonderful show.

Today is the New York City Marathon, which I’ve nicknamed “the most inspiring day of the year.” I’ve watched from Central Park every year since I moved to New York. So I’m off this afternoon to Mile 25 to cheer on the runners with hot chocolate in hand.

Happy Sunday!

 

Sunday, October 23

Good morning!

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Here is my book: The Disappearing Spoon

Here is my breakfast: coffee and baguette tartine at Eric Kayser (pictured)

Let’s sit down at the table:

My friend Shelley was here to visit Wednesday-Friday. We watched the third and final debate in my living room, complete with #hottoddiesforhillary. On Thursday, the Eric Kayser on 74th, where I have had breakfast almost every weekend morning since I moved to New York three years ago, reopened after a fire five months ago. Although at first I didn’t enjoy the disruption to my routine, the closure did help me branch out with my neighborhood breakfast options.

I have a cold this weekend, so I’ve been staying in reading, writing and editing, and catching up on all the TV I’ve missed in the past week.

Happy Sunday!

On Writer’s Block

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My friend posted a status on Facebook asking for fellow NaNoWriMo participants to form an accountability group. I sporadically attempt NaNoWriMo– well, I do my modified version of NaNoWriMo, which really means that I cheat– so I scrolled through the comments. Someone mentioned that she had a great idea, but chronic writer’s block. Which got me thinking about how I might solve writer’s block on my own projects.

As I’ve mentioned rather recently, I try to write 250 words every day, which is one good way to keep going when you’re hitting the wall.

There are a lot of opinions about writer’s block. To oversimplify, the “butt in chair” school tends not to believe in it; the “muse” school does. My thoughts fall somewhere in between. I believe in writer’s block, but I think that timing can lie at the root of the issue. If you keep hitting your head against a wall, you start to ask “why?”

Sometimes an idea– even a great idea– is not yet ready. It needs to marinate for a little while longer. It needs another element. It needs a different narrator, a switch from first to third person, a plot twist, a transition from A to C.

I come across this problem all the time in my own writing. I’m a longform writer. I like novels; I like television. But even long projects come from a single germ of an idea. I once wrote a novel from a title. I’ve written from a line of dialogue, from an image, from a scene. I’ve finished these projects. But there are a lot of ideas I’ve had that sit in a notebook. I let them rest. Sometimes, another idea pairs with them down the road.

Here is how I write. Everyone has a different process; everyone should have a different process. (Additional strategies for combatting writers block that I do not use will be detailed below).

I need to know where a story is going before I get into it. I’m a planner, not a pantser. If I don’t have an outline for where the story is going, I get stuck, usually around the 1/3 or 1/2 mark.

When I have an idea I want to play with or a premise that I love, I allow myself to write 5,000 words with no guarantees. By the time I hit 5,000 words (which falls anywhere between 1 and 3 chapters), I force myself to write an outline.

I start slowly with novels. My word count per session grows the closer I get to the end. By then I know my characters, I know what’s happening, and I’m exhilarated by the final act. So while I write my 5,000 words, I’m usually jotting down notes. Plot points, scenes, characters, great lines I need to jam in somewhere. By 5,000 words I take a step back. I spread out my notes and figure out how to structure this novel. I make a chapter-by-chapter outline– not extensive, anywhere from one line to a paragraph about the action in each chapter or the problem it needs to solve–just something that I can look at when I get stuck. I don’t always stick to the outline; often, my best plot twists are the ones even I don’t see coming.

My brain thrives on structure. I like to think I can inflict structure on any chaos. Every time I start something new, I believe that my idea is so sound, it’s going to fall into place flawlessly.

A lot of the time, I fall flat on my face.

The outline has a way of pointing out flaws.

I’ll give you a couple examples.

  1. I was writing a YA novel about a girl who decides to carry out her dead sister’s bucket list. It pains me to admit that I thought this was a fantastic idea. The first two chapters flew out, but I started to get stuck on the third. I had some notes: characters to introduce, bucket list items to check off. Then I spent three weeks promising myself to write an outline. I couldn’t get past chapter five. I knew my three acts; I knew the climax and resolution of each one, but I couldn’t fill in the middle. I couldn’t come up with more bucket list items that would fit into the story. And after three weeks, I admitted that I needed to put it aside. I would have another idea. And I did.
  2. I’d been playing with an idea based on a short news article about a dead body in the LA River (which is not strictly a river). I wrote a great prologue/first chapter. Really. I remain immensely proud of that page. Then I tried to figure out the rest. I had a couple characters, some ideas for who this man was, how he ended up there, but it just wouldn’t gel. I decided to let it sit and hope that it would untangle in my mind. Months later, I had a breakthrough. I had the wrong main character; it needed to be told from two perspectives. I was energized, but as I tried to parse it out, I became stuck again. Someday, I think, it’ll work out. But for now I’m moving on to other things.

This is why I have a rule: if I can’t make an outline work after some serious effort, the novel isn’t ready. And that is okay. Ideas take nurturing. You have to trust them to grow.

I think that a lot of writer’s block can come from not being ready or from being scared. You need to know when to push through and when to rest.

Here are some other ideas for writers block:

  1. Try working on the most vivid scene in your head. Even if you’re working in order. The more you exercise the writing muscle, the more in shape you get.
  2. Write about your day. The logistics, thoughts, feelings, your plans for tomorrow. The story doesn’t need to spring from your imagination, but it will get your brain thinking about writing.
  3. Take a walk. Listen to music. I like to get into my Spotify Discover playlist. Go through a few songs. Sometimes I challenge myself to pick a random song and imagine a scene around it.
  4. Read a book. Copy down a page you really like. What do you love about it?
  5. Don’t write. Seriously. If you’ve been trying and hitting the wall for several days, take a couple days off, then come back to it. Sometimes taking a step back is what you need.

I hope this is helpful. Do you have any tips for combatting writer’s block?

Sunday, October 16

Good morning!

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Here is my book: The Disappearing Spoon and And Then There Were None

Here is my breakfast: cappuccino and croissant from Shakespeare & Co.

Come join me at the table.

Last week was mostly calm, which I appreciated after the last two weeks ran me ragged. I didn’t make plans; I didn’t attend any events; I went to work and came home.

On the recommendation of my coworker, I started watching Younger, which is set in publishing. I’m really enjoying it so far, even if one character’s title as “junior editor” is driving me crazy.

A friend is coming to stay with me for a couple days this week, which means that today is dedicated to cleaning and tidying the apartment (switching out my closet included).

Happy Sunday!

Kait

 

250 Words a Day

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Photo from 2012, taken at my favorite table at Les Deux Magots

I am a person who loves lists. When I feel overwhelmed, I write down everything I need to do in 10-15 minute increments. It calms me down. Makes me feel like I am accomplishing something. Makes me feel like I have a plan.

Today, for instance, I wrote that I would work on this post at 8:15. So here it is, 8:15 and I am parked on the couch with my laptop.

I make lists for everything, but my favorite list is the one I devise every year for my birthday. New Year’s Resolutions have never worked for me; monthly resolutions seem short-sighted. But I wanted a way to track what I accomplished in any given year in line with my goals. I have one item for every year of my life. This year, I’m working on my 25 at 25 (I started this several years ago, inspired by this 101 in 1001). Most of the goals are arbitrary, and I usually figure out which during the course of the year (how important is it to me to visit every New York City borough? Do I really need to learn how to make five cocktails?), and if I’m really honest, I usually don’t achieve the majority of them. It feels like failing every March.

I have recurring items on the list; I just keep writing them down until they happen. I read a certain number of recreational books every year; I (try to) write in my journal weekly (I’m lucky if I manage monthly).

This year, I have a new addition as item two: to write 250 words every day. This works out to 1,750 words a week and 91,250 words a year. But the goal is to manage to get 250 words down every single day, no matter what.

It worked really well from March-June. Then I got busy in July, and I got tired in August, and overwhelmed in September. But it seemed fine, because from March to June of this year, I’d written about 50,000 words. I was well on track to my yearly goal.

I’ve always loved to write; like most people, I found publishing and editing by writing. But last year, I felt like I was struggling to get things down. Writing became a slog. I put a post-it up at my desk at work that reads, one word in front of the other. And I thought, if I can do that every day, I could easily write a novel-length project every year.

I chose 250 words because it seemed manageable. That word count is small when I can devote a day to working on a larger writing project (I’m partial to novels), but it’s something I can achieve even when I’m swamped with work. Even on my most blocked days, I can knock out 250 words in 15 minutes.

Somehow, I still fell off the wagon.

This month, I’m recommitting to writing 250 words a day. It doesn’t matter if it’s on this blog (can check that off today!) or in my journal or on one of my other two major writing projects. Writing 250 words a day is about discipline. It’s not really about how quickly I can knock out a project or how many words I can write in a year. It’s not even about writing anything good. It’s about sitting down and doing the work every day. Forming a habit. Making it essential. Making time.

Back in college, I took a creative writing class with Richard Powers. We had a meeting to discuss one of my stories in his office. He knew two major things about me: that I wanted to be a book editor and that I wanted to write novels.

He asked if I had a daily writing routine. I said I didn’t. I was a college student. I wrote when I had the time (which, in retrospect, was often). No, I didn’t write every day, but I could finish a novel project in a year. That seemed good enough.

The conversation nagged at me over the years. To do anything you care about, you need to prioritize, and you need to make it routine. So this year I decided to do just that.

I still don’t have the kind of daily writing routine he was referring to. I don’t write from 5:30-6:30 every morning or from 8-9 every night; I fit in my 250 words whenever I can. But there’s always my 26 at 26 (eek!) next year.

And if you have any tips for habit-forming, please let me know!

 

 

 

Sunday, October 9

Good morning!

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Here is my breakfast: a croissant and cappuccino from Shakespeare & Co. cafe

Here is my book: submissions. I’m forgoing a recreational book today in favor of work.

Come join me at the table.

This week was exhausting. So exhausting, in fact, my body crashed yesterday. Monday, I attended a book party in Soho. I was going to type, “it was one of those parties where you think, whoa, is this my life?” but that was pretty much my entire week. Tuesday, I had choir rehearsal, which was mainly devoted to rehearsing for the next night’s performance. On Wednesday, my choir performed at the Park Avenue Armory gala, where we sang backup for Patti LuPone, among others. She performed “Blow, Gabriel, Blow” from Anything Goes, a song that I love, and I was so excited to sing with her. I found her great to work with. If you’d told me even six weeks ago that I’d be singing backup for Patti LuPone, I would have laughed. Because who really expects crazy opportunities like that to fall in one’s lap? To round out my crazy week, I attended a fundraiser Thursday night, held at an apartment at the El Dorado with insane views overlooking Central Park and south.

It was an amazing week, but I’m really looking forward to this upcoming week in which I do absolutely nothing of note (which hopefully means I can clean my apartment).

Happy Sunday!